Academy award-winning film-maker Barry Morrow yearns to do Bob Marley film

BY HOWARD CAMPBELL Observer writer  Friday, May 13, 2016 

IT was the summer of 1974 and, according to film-maker Barry Morrow, “every long-haired youth in the US was digging (Eric) Clapton’s hit, I Shot The Sheriff ”.

Not long after, those youth, which included Morrow, discovered that the song was written and originally done the previous year by Bob Marley and The Wailers.

Yesterday was 35 years since Marley died from cancer at age 36. I Shot The Sheriff struck a chord with Morrow, who later won an Academy award for Best Original Screenplay as co-writer of the 1988 film, Rain Man.

Bob Marley

By mid-1974, Marley had completed Natty Dread, his first solo album which would be released in October that year by Island Records. In a recent interview with the Jamaica Observer, Morrow, 66, described the original I Shot The Sheriff as “even cooler” than Clapton’s. For many white youth who were big into guitar rock, it was their introduction to Marley and authentic reggae.

“It was then that The Wailers came into our consciousness. It was a revelation, and the beginning of a musical love affair with Bunny (Wailer), Peter (Tosh) and especially the group’s magnetic Bob,” Morrow said.

Morrow was born and raised in the Midwest state of Minnesota, which is also the birthplace of folk icon Bob Dylan. He discovered Jamaican music in the 1960s through two classic songs.

Barry Morrow on the set of his
 latest film, Smitten, in northern Italy.

“I grew up in middle-America, far from the East Coast and the Caribbean, so my first exposure to the rhythms coming out of Jamaica was probably Millie Small’s My Boy Lollipop, and later the Desmond Dekker hit, Israelites. I really liked the haunting quality of that song and it stuck with me,” he recalled.

In terms of Marley, Morrow’s favourites include the staples Could You Be Loved, Redemption Song, No Woman No Cry and One Love. He is also into The Wailers’ edgier material.

“I started digging down into rocksteady and other roots music – all the Studio One stuff, and, of course, Lee Perry’s,” he said. “I came to see that The Wailers stood just as tall as The Beatles in terms of their evolution and range. So I’d have to add to my favourite’s list, singles like Simmer Down or My Cup, Bunny’s unbelievably beautiful Dreamland and Peter’s Mawga Dog and Stop The Train.” more